todd-strauss-schulson

Deconstructing the Horror Genre One Grieving Heart at a Time: The Final Girls

Rich Juzwiak · 10/09/15 03:26PM

Superficially, Todd Strauss-Schulson’s The Final Girls looks like what would happen if Friday the 13th got the Wes Craven’s New Nightmare treatment: It’s a self-referential exploration of tropes (it takes its title from scholar Carol J. Clover’s brilliant analysis of horror cinema), a genre-excavation using a movie-within-a-movie conceit. (Note that the film-within-the-film is not Friday the 13th exactly, but the very similar fictional ‘80s horror hack-’em-up Camp Bloodbath). The action follows Max (Taissa Farmiga) and some of her friends, who get sucked into the slasher flick Max’s mom Amanda (played by Malin Åkerman) starred in during the ‘80s. When they figure out what’s going on, they realize they have to rely on their knowledge of the genre to find their way out.